Amanda Harberg’s Hall of Ghosts, written in 2020 at the height of the coronavirus pandemic, evokes haunting loneliness through the use of a single piccolo and dance soloist. Gabrieli’s Sacred Symphonies were first published in 1597, and the selections featured here immediately transport the listener to a religious service in Renaissance-era Venice. Completing the program are two of Bach’s Brandenburg Concertos: the intricate No. 3 and the lively No. 6.
PROGRAM
HARBERG Hall of Ghosts
BACH Brandenburg Concerto No. 6
GABRIELI (arr. Higgins) Canzon per sonar septimi toni à 8, No. 2
GABRIELI (arr. Higgins) Sonata pian' e forte
GABRIELI (arr. Higgins) O Magnum Mysterium
GABRIELI Canzon per sonare No. 1 “La spiritata”
GABRIELI (arr. Higgins) Canzon per sonar primi toni à 8, No. 1
BACH Brandenburg Concerto No. 3
SPONSORS
Sponsorship support for CSO Sessions is generously provided by the Zell Family Foundation; an anonymous donor; Kenneth C. Griffin Charitable Fund; JCS Arts, Health and Education Fund of the DuPage Foundation; the Julian Family Foundation, in honor of Cristina Rocca; Cynthia M. Sargent; Megan and Steve Shebik; Betty W. Smykal; TAWANI Foundation; National Endowment for the Arts; ITW, and PNC.
Up Next in Season 1
-
Mozart Gran Partita
Mozart’s Gran Partita is a sublime achievement in wind music, easily capturing the many emotions of the heart — sometimes all within a single movement. It is a playfully subversive variation on the popular serenade, scored for 13 musicians, which flows naturally between simplistic melodi...
-
Messiaen Quartet for the End of Time
Written in a German prison camp during World War II, Messiaen’s Quartet for the End of Time was premiered by the composer to an audience of guards and fellow prisoners. Evoking sounds and imagery from his surroundings, including the famous birdsong clarinet solo, Messiaen’s powerful quar...
-
Elliot, Sowerby & Prokofiev
This varied program of 20th-century music features two works by Prokofiev, both originally intended for ballets: an idiosyncratic quintet, scored for the unusual combination of oboe, clarinet, violin, viola and bass, which evokes a circus setting while still maintaining the composer's signature e...